Marnie, speak! Good girl.

You guys really make a 40 year old guy feel good. I, of course, tell Leo he's a youthful looking and damn fine looking man, pretty much every day, but he considers my opinion to be biased. Sheesh, like that matters. But who can argue with comments from relatively anonymous sources?

I have knit the mock turtleneck of his sweater and finally got him around to trying it on again and it looks great on him, absolutely delicious. I can't say I'm excited to knit several turtlenecks in the round now, but since it's all I have left to do, I hope to get at least one cranked out this weekend.

In the mean time, I've been doing two things.
Knitting some silly socks on the bus:

This has been the first week that I'm back to working in my LA office and I've forgotten how relaxing it is to be able to take the bus. I usually only knit a few rounds, since I'm generally too tired to deal with 2 circs and 2 balls of yarn (I like the yarn well enough, but it's like velcro to itself. Has anyone else had that problem with sock yarns?) I'm about 2 inches up the leg. I don't know how long I want these socks to be. I'll probably just knit for a while until I pretty much use up the yarn, or maybe I'll get bored, do some ribbing and bind off. We'll see.

The last thing I've been doing is swatching. It's my unfaithful little heart. I should be finishing, not starting, but what's the harm in a little swatching, right?

It's some beautiful Silky Wool that I bought from a destashing effort. It's been a while that it's been sitting in my own stash, and I've been reserving a little corner of my brain for ideas. They are still evolving, but I'm pretty sure I want to go with some sort of diamond all-over pattern.
After this shot was taken, I finished the lacy diamond motif that is partially knit by the needles and I worked a more vertically elongated knit and purl diamond motif. I then bound off, washed the swatch and am letting it dry flat. I would show you, but it is dark and I still have much getting ready for work to be doing.

I spent a good deal of my weekend working on some swatches for someone else's book, this weekend, so bloggable progress is pretty scant. I can show you my gorgeous Silky Wool swatch, though.

I am fighting every urge to cast on for this piece right now. But I can't and shouldn't, not until at least one turtleneck is done for Leo and my swatches are finished for the unbloggable items.

I will tell you that I have big plans for this yarn. Oh how I love the Silky Wool. I don't know how it stands up to the test of time, but it's a great weight, comes in a huge assortment of colors, has good yardage, has a delightful texture, is soft enough to wear against the skin and appears to have just the right balance of drape and structure to pull off a lot of designs.

In entirely unrelated news, I thought you might be happy to learn that the next season of Knitty Gritty has been scheduled.

New episodes should start airing next month. You can see what's coming in the next season by clicking here.

The two episodes that I'm in, do not air until later this year.

This is really the first time I've done test swatches for a design for someone else's book. I've had pieces in books and I've had sketches accepted for publication in magazines, but normally I self publish so my swatch is always in the color and yarn that I intend to use. There was a part of me that felt it would be good to run out and buy the "right" colors of yarn, but there is no guarantee that it will actually be the yarn I use, so I decided to stick to stash yarn, almost exclusively. The result is swatches so horrible to the eye, that I feel I'm giving nothing away by sharing them.

They are sitting atop the stitch by stitch chart I've done up for my Silky Wool yarn. As insane as it sounds, even for my own use, I generally chart every stitch of the piece I plan to make.

I wanted to get everything in sunlight, last night, and while the days are long here, there's only really one little spot by the window that gets direct sunlight. Guess who gave me a hand with the photo shoot:

She was checking the lighting for me.

And no, I haven't been neglecting my girlfriendly duties, Leo's turtleneck is nearly done.

On the commute home, a couple days ago, I asked Leo "Hey, do you prefer your turtlenecks on the long side or on the short side."
"Oooh, I don't know, kind of medium. Helpful, huh?"
Indeed.
So this piece will probably be done before my next blog post, but getting Leo in front of a camera, may still be days away. From what I've seen of it on him, though, I think it'll be worth the wait...hubba hubba.

I've actually been working on this piece, in dribs and drabs, for a while now. It's not that I'm not enjoying the process, I really love the yarn and the idea I have, I hope, will be great. It'll have princess seams and waist shaping, all things that I think look lovely. I’ve just had so much else going on that it hasn't been a project I could really give the proper focus to, so I knit a row here and there and put it down for a little while.

One thing you'll find about me and my knitting is that I knit almost everything with a provisional cast on, and this project is no exception. I feel like it gives me a lot more options. I can always cast it off normally, if it turns out I don't need those stitches.

Now that most of my worldly goods are in Portland, I'm sans ball winder (until the gracious Ms Julia takes me in on the 15th) so I'm reduced to winding my own center pull balls.

I use an empty prescription pill bottle. If you want to try this at home, look for one that is fairly tall. Circumference doesn’t make a huge difference. Tuck one end of the yarn in the container. Close the container to secure the end then wind as though using a Nostepinne. When you are done, open the bottle and slide off your center pull ball. It's not as convenient as a ball winder, but it works in a pinch.

In move news, Leo and Panda are doing very well in our new home in Oregon. He's already emptied the whole truck by himself.

And Panda has taken to the place like a fish to water. She hung out by our giant tree:

And watches our neighbors from a choice vantage point.

It appears that our lawn could do with some tending, but we'll get to that when we can. For now, I'm just happy to know that everyone is home safe and sound. Pity party is still in overtime but it's winding down a bit.

I probably don't mind moving as much as some people do. In general, I have a slight pack rat mentality, but when it comes time to pack boxes, I'm a drill sergeant. While there are exceptions, my general rule is that if I haven't seen it, thought about it, touched, or used it in at least a year, it's probably something I don't need in my life. This is rather refreshing to me, though it does mean that I end up needing to re-buy things I may have tossed by accident. Leo is also a bit of a pack rat, but his philosophy is "Throw it in a box or trash bag and we'll sort it out at the new place."

We diverge greatly on this topic. I say, “Why move something I don't want or need?” But his take is "Let's make SURE we don't need it. Better safe than sorry." This makes for rather comical packing sessions. Picture Marnie approaching a pile of items that need to be sorting for either packing or Goodwill. Marnie begins heaping EVERYTHING in the Goodwill pile. Old family heirloom: Goodwill. Free CD from bar visited a year ago: Goodwill. Wine glasses so delicate that we never use them because we keep breaking them: Goodwill. If it has been tucked away in a dark cabinet for a year or more, it gets little more than a passing glance before heading into the pile. And then Leo turns around to say something to me. His eyes grow large as they land upon some cherished whatnot in the pile, then another. I already know what's coming and I yell, "TAKE NO PRISONERS!" But then he gets those puppy dog eyes as he snatches something dear from the pile. I relent.

Though, on the other end of the spectrum, when it comes to books, I'm like a mother with too many children. I know I can't possible house and care for them all but every one of them is dear to my heart. Leo took to packing the books himself and threatened to toss them all, their numbers were so great. "Don't you dare!" I exclaimed. All of a sudden, this drill sergeant went soft.

We have agreed, though, to get rid of most of our old furniture, some dating back to well before Leo and I met. This is mostly because we couldn't really justify the cost of moving it and after going from several places in Boston to Burbank and then to Playa Del Rey, it was all starting to get a bit tired. So between periods of scrubbing down the house to get it ready for moving out, I've been trying to sell this stuff on Craigslist.

This all keeps me fairly busy, but between all that, I do have some time to fill. With no TV or radio, I've been getting a lot of reading done, listened to a few audio books, and of course, I've been knitting and spinning.

The Silky Wool top is cranking along at a good pace. Isn't the stitch definition great? I’m probably another inch or so past what you see here. I’m experimenting with the construction of this piece a little which will become more apparent once I finish this main body piece.

I've been trying to spin some Yak from the Bellwether sampler. This is definitely not going as well as the Pygora, but I'm getting the hang of it.

And for a little bit of exercise, while I'm stuck at the house waiting for the next prospective buyer, I've been using this baby.

It's an Indo Board, and one of the few examples of something Leo is ready to give up and I want to keep. I don't do any sort of board sport but I find it terribly fun to risk my neck playing with this. As a responsible blogger, I need to go on record as saying that you are, indeed, risking injury using this and while I find it fun, I recommend that if you do try one, you do so at your own risk.
We have wall to wall carpeting which makes this less perilous to use. A grassy lawn would offer even more security. I’ll play around with it for a few minutes here and there just to get my blood moving and the next day my tush and abs will be just a little achy (in a good way.)

It’s a bit stressful being away from Panda and Leo, it’d be a lot more fun to do all this stuff together, but we’ve been making the best of the situation and time is flying by with all there is left to do.

Oh and the best news of all, it looks like I may be able to keep my current job and work remotely from Portland until the end of the year. Talk about taking a load off my mind.

When I was a kid, I used to go to Canobie Lake Park every year with my parents because the company they worked for rented out the park for a day, once a year. I remember seeing all the roller coasters, even the one in the little kids' area and thinking "yah, I want to go on that." But as soon as the ride got going, I'd realize that this was definitely NOT what I wanted to be doing and in fact, if I didn't get off STAT, I was going to need to scream my fool head off. Luckily, I was a fast learner and quickly came to the conclusion that I was happier on more tame rides and getting "antique" photos taken with my friends. Odd, but I always loved the Turkish Twist which was like a tilt-a-whirl without the tilt and down in a pit where the floor dropped out from under you. So it’s kind of like being in a salad spinner.

Anyway, moving has been much like riding that roller coaster for the first time. I think, "Yah, no problem, I'm ready for this. While I'm at it, maybe I'll bring peace to the middle east too." Then suddenly I realize that everything is happening and I can’t turn back; Leo and Panda take off, the apartment is full of things I need to sell, and work is hitting a busy point. I see that apex of that long first hill ahead of me and start to think, hmmm, am I actually ready for this?

And what a ride it's been. Moving out of the old place on Tuesday was such a relief. I really do love LA, I've been very happy here, but I've been on a strict regiment of "no fun, all cleaning and selling old furniture" for the past week. I have a new disdain for flakey people who say they are coming to get your furniture and never show up. I also have scorn for people who try to haggle me on items I'm already trying to sell for much less than even Goodwill would charge. I'm not bitter, nah, not at all.

But I'm now a guest of a certain winter minded friend of mine, and life is good again.

I've made a small amount of progress on the Silky Wool cardigan. You can now see the full effect of the princess seams. She’ll look better after a little blocking.

The front and back are almost done and then I start playing around with sleeves. I do the bulk of my designing in Adobe Illustrator.

I don't want to give anyone the impression that using Illustrator is quick or easy, but I find it to be a great tool for the way I like to design for myself. In this case, the first thing I do is build a grid to scale. Then I create a pattern swatch that exactly matches a single pattern repeat for the stitch pattern. Since I generally create my document to be an exact 1 to 1 scale of the final pattern, I can use the actual inch markers on the built in document rulers, to draw the shape I want.

A little hint if you want to try this yourself, if you want a smaller scale, try working in centimeters instead of inches or picas instead of centimeters. For instance, if I draw my design pretending that each centimeter is an inch, I can basically scale the whole piece down by half, but I still have a ruler to go by when making modifications.

Just like working on regular graph paper, once my general shape is defined, I need to go in and redraw the shapes so they are made up only of whole stitches. Once the initial design is built, I fill it with my original pattern swatch and if all goes well, it will perfectly align with my gauge grid.

From there, I can reshape the piece at will and see how it will look. Then, I just print it out and work directly from the chart while I knit.

Since I have both a stitch-by-stitch, row-by-row representation of the piece and the stitch pattern, I can forego the row counter altogether. I just tick off the last row I worked and if I'm unsure if I remembered to mark off the last row, I can double check by looking at what row of the stitch pattern I just knit and comparing it to the chart.

I’d be curious to hear how other designers out there like to do their designing. Do many of you use Excel? Pencil, paper and calculator? Design programs? (I have one, but generally don’t use it for much more than calculating the armsceye and sleeve caps of multi-sized patterns.) Do you have another technique all together? Do tell.

Back before I moved to Portland and before I took on a plethora of non-bloggable design projects, I was working on a piece knit from Silky Wool.

I'm a little further than the last time I posted about it, though there has been a great deal of ripping, knitting, ripping, crocheting, ripping and, well, you get the idea.

I had planned the body of the piece really well, but had left the details such as the sleeves and bands much looser. This is primarily because I wasn't sure how much of the main color yarn I'd have after I completed the body. It turns out I had just a little more than needed to knit the body. So now it's a matter of finding a way to use the other two yarns (of which I had a single skein, each) in the most aesthetically pleasing way. Hopefully, the end result is a piece that will look like it was designed intentionally as opposed to a design driven by a lack of yarn.

While I really love the deep mahogany shade, and considered using it as the trim, I didn't feel it popped enough against the main color, so I used the gold instead. In order to make the sleeves seem more cohesive with the rest of the piece, I threw in a little pleat with the main color, to bring it all together.

I snapped a few very unflattering pictures of me wearing the piece in its current state. You can check them out after the jump.

Second Sock Syndrome (SSS)
I finished the first of Leo's two socks and it looks and fits great.

No, he doesn't have itty bitty feet, the gusset just pulls the sock in a bit and makes it look shorter, I swear.

The heel is really unusual and attractive. This is the bottom of the sock and you can see the paired decreases that form a delicate ridge along the bottom. It isn't bulky at all, it just has a nice little visual detail.

I've cast on for the second, but it's moving slowly. 9" of ribbing in the round is just not my idea of big excitement, especially now that I'm not working under any deadlines and the world is my knitting oyster.

Sewing Buttons Syndrome (SBS)
I've discovered that while I like buttons, I dislike, with great zeal, sewing them on. I find it tedious, boring and prone to fault. It's sad really. When you are at the point that you should be sewing buttons, your piece is all but done. What could be so bad about sewing buttons on?

For about a week, the Silky Wool piece has been at this point, give or take.

The buttons aren't far enough apart, I'm currently taking them out to sew them back in....again.

Oh and remember all that talk about having juuuust enough yarn to knit the body of the piece? Well, I did some stash organizing and clean up this weekend. Guess what I found? My original giant swatches and the ball form which I knit, equaling a whole additional ball of the main color.

In my defense, much of our lives still sits in boxes because we:
A) Sold most of our furniture
B) Don't plan to buy furniture until we buy a house
C) Don't have anywhere to put stuff in the interim.

While this is, by no means, the way I hoped to start things in Portland, it does keep us motivated to pay off what remains of our credit card debt and start house shopping. Woohoo, and way to go off on a tangent.

I have overcome one of my previously mentioned afflictions, or at least have suppressed it long enough to complete the Silky Wool piece.
The lighting in the "model" shots is a little cruddy, but I'm happy to say that shooting myself in front of a dark brown wall appears to make me look slightly less fish-belly white. Not a bad trade off.


I'm modeling here with a pair of dark brown cargo pants, which, oddly enough, suit the top. I'm thinking the top needs some sort of lacy cami underneath, in order to be truly practical, but as a garment, am happy with the end product.

Pattern Notes
Design: My own
Yarn: Elsebeth Lavold Silky Wool
Method: Knit with crochet
Will I write up this pattern? I'm thinking not. It's a rather involved pattern and I can't fathom having the time to size it and write up the whole thing. Who knows, maybe someday.

Some bits and details:

The sleeve has a button to keep the pleat from flaring too much. It made a huge difference in the finished appearance. The Silky Wool is so light and able to hold it's shape that the sleeves tended to fly out a bit too much for my taste. An alternative solution would have been to start the pleat halfway down the sleeve, but I like how the button pulls the design together.
The sleeves were knit in the round, from the top down, using Barbara Walker's method, though I had to make some serious modifications to the technique in order to leave the opening for the pleat. In fact, saying it was knit in the round is really a misnomer since the sleeve was worked back and forth with short rows, leaving a wide opening where the pleat went.
The inset was worked by picking up the stitches from the top of the armsceye and working down, then the edges of the inset and the edges of the sleeve, were seamed via crochet.

Here you can see the princess shaping. I have about a 10" difference between my waist and my chest, and hips. When I've knit a piece to correctly match my dimensions, by only decreasing at the side seams, the garment has tended to fit oddly with a funny little peplum effect at the sides and too much excess fabric at my lower back. These princess seams allowed me to distribute the shaping over more points and where they are most needed. I removed the side seams altogether, working it all in one piece. I faked the seams up the princess line by working a slipped stitch, every other row, where the seam would be. The project could just as easily have been worked in separate pieces which would have made the piece easier to block, but it would have probably made the seams less apparent because mattress stitch tends to be so invisible. I really wanted the "seams" to be a design feature.

The buttons are just from my local craft store, nothing fancy shmancy, though I like them. They are metal, maybe pewter, and have a relatively ornate engraved design. I thought for a while about what sort of button would best set off the piece and while I thought wood would be a nice color compliment, it seemed too rustic for the design, while shell or pearl was too dressy. The metal seamed to blend more with the look of the piece, so that they complimented while not overpowering the piece. Even better, the holes in the button were big enough to accommodate a small Chibi. This meant there was no need to find matching embroidery floss or thread to finish the piece. Life is good.

So that's that, another FO.

Sometimes being a slouch is just fine. Normally, I love knitting fitted, figure hugging designs that appreciate all the fantastic curves we women have to offer but occasionally, all I want is something comfy and slouchy and relaxed while still being appropriate for human interaction. (I've heard it's frowned upon to go out in public in your robe. Go figure.)

Remember Freudian Stitch? Long since ripped, it's now become this.

It's a simple design with plenty of ease and a huge scoop neck that can be worn on or off the shoulders. The cowl is gently flared to allow it to drape loosely at the neck or be worn across the shoulders, as desired.

The simple cable running up the front and back has been scaled down to run along the sleeves as well.

As I've noted in the past, I just love working with Silky Wool. The tweedy color, subtle texture and crisp hand, make for a lovely fabric and the light weight doesn't add bulk and is suitable for most seasons.

I'm not sure if I'll offer a pattern or not, that'll depend on time and customer interest. It's not a complicated piece but I would be offering several different cable charts to ensure that the scale of the cables fits the larger sizes so the cost in time and tech editing would be a little higher than usual.

But hey, this is my first official knitting photoshoot in the new home. It's silly but it feels a little momentous to me. Even the girls got in on the fun.

Well, your collective response to my inquiry about that slouchy cowl in my last post was so great that I got right to writing the pattern. My beta reviewers are looking over the very rough draft and then it's off to the tech editor early next week. As per most of my for sale patterns, it'll be offered in 12 sizes and have plenty of tips for getting a good fit. I hope it'll be well received.

It took a while to get the charts, calculations, schematic and text together, and I still need to get some detail shots and start the layout, but I've taken the summer off from classes, I don't have any design deadlines, and the most time consuming parts of the move are done so I actually had some *gasp* free time! I'm trying not to get used to it.

I've even had a little time for some more knitting

The yarn is some of the singles I spun during the Tour de Fleece. It started off looking like this.

It's going to be a rectangular wrap but I think it'll be coming up a little shorter than I'd like so I've set aside some possible yarn with which to trim it.

And, since I've been doing cable charts for this project, I'm thinking about doing another illustrator chart tutorial. I just need to find the box the microphone.

I'm happy to announce the release of Jamison Square, formerly known as the slouchy cowl.

Click on the image or right here to see all the details about this pattern.

Price $9.00

Thanks to all of you who encouraged me to finish the pattern. Here's hoping you enjoy knitting it as much as I enjoyed designing it.

And since I know not everyone has $9 to throw at a pattern, here's a picture of my petulant little pup.

See, a little something for everyone.

This is really the first time I've done test swatches for a design for someone else's book. I've had pieces in books and I've had sketches accepted for publication in magazines, but normally I self publish so my swatch is always in the color and yarn that I intend to use. There was a part of me that felt it would be good to run out and buy the "right" colors of yarn, but there is no guarantee that it will actually be the yarn I use, so I decided to stick to stash yarn, almost exclusively. The result is swatches so horrible to the eye, that I feel I'm giving nothing away by sharing them.

They are sitting atop the stitch by stitch chart I've done up for my Silky Wool yarn. As insane as it sounds, even for my own use, I generally chart every stitch of the piece I plan to make.

I wanted to get everything in sunlight, last night, and while the days are long here, there's only really one little spot by the window that gets direct sunlight. Guess who gave me a hand with the photo shoot:

She was checking the lighting for me.

And no, I haven't been neglecting my girlfriendly duties, Leo's turtleneck is nearly done.

On the commute home, a couple days ago, I asked Leo "Hey, do you prefer your turtlenecks on the long side or on the short side."
"Oooh, I don't know, kind of medium. Helpful, huh?"
Indeed.
So this piece will probably be done before my next blog post, but getting Leo in front of a camera, may still be days away. From what I've seen of it on him, though, I think it'll be worth the wait...hubba hubba.

I spent a good deal of my weekend working on some swatches for someone else's book, this weekend, so bloggable progress is pretty scant. I can show you my gorgeous Silky Wool swatch, though.

I am fighting every urge to cast on for this piece right now. But I can't and shouldn't, not until at least one turtleneck is done for Leo and my swatches are finished for the unbloggable items.

I will tell you that I have big plans for this yarn. Oh how I love the Silky Wool. I don't know how it stands up to the test of time, but it's a great weight, comes in a huge assortment of colors, has good yardage, has a delightful texture, is soft enough to wear against the skin and appears to have just the right balance of drape and structure to pull off a lot of designs.

In entirely unrelated news, I thought you might be happy to learn that the next season of Knitty Gritty has been scheduled.

New episodes should start airing next month. You can see what's coming in the next season by clicking here.

The two episodes that I'm in, do not air until later this year.

You guys really make a 40 year old guy feel good. I, of course, tell Leo he's a youthful looking and damn fine looking man, pretty much every day, but he considers my opinion to be biased. Sheesh, like that matters. But who can argue with comments from relatively anonymous sources?

I have knit the mock turtleneck of his sweater and finally got him around to trying it on again and it looks great on him, absolutely delicious. I can't say I'm excited to knit several turtlenecks in the round now, but since it's all I have left to do, I hope to get at least one cranked out this weekend.

In the mean time, I've been doing two things.
Knitting some silly socks on the bus:

This has been the first week that I'm back to working in my LA office and I've forgotten how relaxing it is to be able to take the bus. I usually only knit a few rounds, since I'm generally too tired to deal with 2 circs and 2 balls of yarn (I like the yarn well enough, but it's like velcro to itself. Has anyone else had that problem with sock yarns?) I'm about 2 inches up the leg. I don't know how long I want these socks to be. I'll probably just knit for a while until I pretty much use up the yarn, or maybe I'll get bored, do some ribbing and bind off. We'll see.

The last thing I've been doing is swatching. It's my unfaithful little heart. I should be finishing, not starting, but what's the harm in a little swatching, right?

It's some beautiful Silky Wool that I bought from a destashing effort. It's been a while that it's been sitting in my own stash, and I've been reserving a little corner of my brain for ideas. They are still evolving, but I'm pretty sure I want to go with some sort of diamond all-over pattern.
After this shot was taken, I finished the lacy diamond motif that is partially knit by the needles and I worked a more vertically elongated knit and purl diamond motif. I then bound off, washed the swatch and am letting it dry flat. I would show you, but it is dark and I still have much getting ready for work to be doing.

I probably don't mind moving as much as some people do. In general, I have a slight pack rat mentality, but when it comes time to pack boxes, I'm a drill sergeant. While there are exceptions, my general rule is that if I haven't seen it, thought about it, touched, or used it in at least a year, it's probably something I don't need in my life. This is rather refreshing to me, though it does mean that I end up needing to re-buy things I may have tossed by accident. Leo is also a bit of a pack rat, but his philosophy is "Throw it in a box or trash bag and we'll sort it out at the new place."

We diverge greatly on this topic. I say, “Why move something I don't want or need?” But his take is "Let's make SURE we don't need it. Better safe than sorry." This makes for rather comical packing sessions. Picture Marnie approaching a pile of items that need to be sorting for either packing or Goodwill. Marnie begins heaping EVERYTHING in the Goodwill pile. Old family heirloom: Goodwill. Free CD from bar visited a year ago: Goodwill. Wine glasses so delicate that we never use them because we keep breaking them: Goodwill. If it has been tucked away in a dark cabinet for a year or more, it gets little more than a passing glance before heading into the pile. And then Leo turns around to say something to me. His eyes grow large as they land upon some cherished whatnot in the pile, then another. I already know what's coming and I yell, "TAKE NO PRISONERS!" But then he gets those puppy dog eyes as he snatches something dear from the pile. I relent.

Though, on the other end of the spectrum, when it comes to books, I'm like a mother with too many children. I know I can't possible house and care for them all but every one of them is dear to my heart. Leo took to packing the books himself and threatened to toss them all, their numbers were so great. "Don't you dare!" I exclaimed. All of a sudden, this drill sergeant went soft.

We have agreed, though, to get rid of most of our old furniture, some dating back to well before Leo and I met. This is mostly because we couldn't really justify the cost of moving it and after going from several places in Boston to Burbank and then to Playa Del Rey, it was all starting to get a bit tired. So between periods of scrubbing down the house to get it ready for moving out, I've been trying to sell this stuff on Craigslist.

This all keeps me fairly busy, but between all that, I do have some time to fill. With no TV or radio, I've been getting a lot of reading done, listened to a few audio books, and of course, I've been knitting and spinning.

The Silky Wool top is cranking along at a good pace. Isn't the stitch definition great? I’m probably another inch or so past what you see here. I’m experimenting with the construction of this piece a little which will become more apparent once I finish this main body piece.

I've been trying to spin some Yak from the Bellwether sampler. This is definitely not going as well as the Pygora, but I'm getting the hang of it.

And for a little bit of exercise, while I'm stuck at the house waiting for the next prospective buyer, I've been using this baby.

It's an Indo Board, and one of the few examples of something Leo is ready to give up and I want to keep. I don't do any sort of board sport but I find it terribly fun to risk my neck playing with this. As a responsible blogger, I need to go on record as saying that you are, indeed, risking injury using this and while I find it fun, I recommend that if you do try one, you do so at your own risk.
We have wall to wall carpeting which makes this less perilous to use. A grassy lawn would offer even more security. I’ll play around with it for a few minutes here and there just to get my blood moving and the next day my tush and abs will be just a little achy (in a good way.)

It’s a bit stressful being away from Panda and Leo, it’d be a lot more fun to do all this stuff together, but we’ve been making the best of the situation and time is flying by with all there is left to do.

Oh and the best news of all, it looks like I may be able to keep my current job and work remotely from Portland until the end of the year. Talk about taking a load off my mind.

I've actually been working on this piece, in dribs and drabs, for a while now. It's not that I'm not enjoying the process, I really love the yarn and the idea I have, I hope, will be great. It'll have princess seams and waist shaping, all things that I think look lovely. I’ve just had so much else going on that it hasn't been a project I could really give the proper focus to, so I knit a row here and there and put it down for a little while.

One thing you'll find about me and my knitting is that I knit almost everything with a provisional cast on, and this project is no exception. I feel like it gives me a lot more options. I can always cast it off normally, if it turns out I don't need those stitches.

Now that most of my worldly goods are in Portland, I'm sans ball winder (until the gracious Ms Julia takes me in on the 15th) so I'm reduced to winding my own center pull balls.

I use an empty prescription pill bottle. If you want to try this at home, look for one that is fairly tall. Circumference doesn’t make a huge difference. Tuck one end of the yarn in the container. Close the container to secure the end then wind as though using a Nostepinne. When you are done, open the bottle and slide off your center pull ball. It's not as convenient as a ball winder, but it works in a pinch.

In move news, Leo and Panda are doing very well in our new home in Oregon. He's already emptied the whole truck by himself.

And Panda has taken to the place like a fish to water. She hung out by our giant tree:

And watches our neighbors from a choice vantage point.

It appears that our lawn could do with some tending, but we'll get to that when we can. For now, I'm just happy to know that everyone is home safe and sound. Pity party is still in overtime but it's winding down a bit.

When I was a kid, I used to go to Canobie Lake Park every year with my parents because the company they worked for rented out the park for a day, once a year. I remember seeing all the roller coasters, even the one in the little kids' area and thinking "yah, I want to go on that." But as soon as the ride got going, I'd realize that this was definitely NOT what I wanted to be doing and in fact, if I didn't get off STAT, I was going to need to scream my fool head off. Luckily, I was a fast learner and quickly came to the conclusion that I was happier on more tame rides and getting "antique" photos taken with my friends. Odd, but I always loved the Turkish Twist which was like a tilt-a-whirl without the tilt and down in a pit where the floor dropped out from under you. So it’s kind of like being in a salad spinner.

Anyway, moving has been much like riding that roller coaster for the first time. I think, "Yah, no problem, I'm ready for this. While I'm at it, maybe I'll bring peace to the middle east too." Then suddenly I realize that everything is happening and I can’t turn back; Leo and Panda take off, the apartment is full of things I need to sell, and work is hitting a busy point. I see that apex of that long first hill ahead of me and start to think, hmmm, am I actually ready for this?

And what a ride it's been. Moving out of the old place on Tuesday was such a relief. I really do love LA, I've been very happy here, but I've been on a strict regiment of "no fun, all cleaning and selling old furniture" for the past week. I have a new disdain for flakey people who say they are coming to get your furniture and never show up. I also have scorn for people who try to haggle me on items I'm already trying to sell for much less than even Goodwill would charge. I'm not bitter, nah, not at all.

But I'm now a guest of a certain winter minded friend of mine, and life is good again.

I've made a small amount of progress on the Silky Wool cardigan. You can now see the full effect of the princess seams. She’ll look better after a little blocking.

The front and back are almost done and then I start playing around with sleeves. I do the bulk of my designing in Adobe Illustrator.

I don't want to give anyone the impression that using Illustrator is quick or easy, but I find it to be a great tool for the way I like to design for myself. In this case, the first thing I do is build a grid to scale. Then I create a pattern swatch that exactly matches a single pattern repeat for the stitch pattern. Since I generally create my document to be an exact 1 to 1 scale of the final pattern, I can use the actual inch markers on the built in document rulers, to draw the shape I want.

A little hint if you want to try this yourself, if you want a smaller scale, try working in centimeters instead of inches or picas instead of centimeters. For instance, if I draw my design pretending that each centimeter is an inch, I can basically scale the whole piece down by half, but I still have a ruler to go by when making modifications.

Just like working on regular graph paper, once my general shape is defined, I need to go in and redraw the shapes so they are made up only of whole stitches. Once the initial design is built, I fill it with my original pattern swatch and if all goes well, it will perfectly align with my gauge grid.

From there, I can reshape the piece at will and see how it will look. Then, I just print it out and work directly from the chart while I knit.

Since I have both a stitch-by-stitch, row-by-row representation of the piece and the stitch pattern, I can forego the row counter altogether. I just tick off the last row I worked and if I'm unsure if I remembered to mark off the last row, I can double check by looking at what row of the stitch pattern I just knit and comparing it to the chart.

I’d be curious to hear how other designers out there like to do their designing. Do many of you use Excel? Pencil, paper and calculator? Design programs? (I have one, but generally don’t use it for much more than calculating the armsceye and sleeve caps of multi-sized patterns.) Do you have another technique all together? Do tell.

I have overcome one of my previously mentioned afflictions, or at least have suppressed it long enough to complete the Silky Wool piece.
The lighting in the "model" shots is a little cruddy, but I'm happy to say that shooting myself in front of a dark brown wall appears to make me look slightly less fish-belly white. Not a bad trade off.


I'm modeling here with a pair of dark brown cargo pants, which, oddly enough, suit the top. I'm thinking the top needs some sort of lacy cami underneath, in order to be truly practical, but as a garment, am happy with the end product.

Pattern Notes
Design: My own
Yarn: Elsebeth Lavold Silky Wool
Method: Knit with crochet
Will I write up this pattern? I'm thinking not. It's a rather involved pattern and I can't fathom having the time to size it and write up the whole thing. Who knows, maybe someday.

Some bits and details:

The sleeve has a button to keep the pleat from flaring too much. It made a huge difference in the finished appearance. The Silky Wool is so light and able to hold it's shape that the sleeves tended to fly out a bit too much for my taste. An alternative solution would have been to start the pleat halfway down the sleeve, but I like how the button pulls the design together.
The sleeves were knit in the round, from the top down, using Barbara Walker's method, though I had to make some serious modifications to the technique in order to leave the opening for the pleat. In fact, saying it was knit in the round is really a misnomer since the sleeve was worked back and forth with short rows, leaving a wide opening where the pleat went.
The inset was worked by picking up the stitches from the top of the armsceye and working down, then the edges of the inset and the edges of the sleeve, were seamed via crochet.

Here you can see the princess shaping. I have about a 10" difference between my waist and my chest, and hips. When I've knit a piece to correctly match my dimensions, by only decreasing at the side seams, the garment has tended to fit oddly with a funny little peplum effect at the sides and too much excess fabric at my lower back. These princess seams allowed me to distribute the shaping over more points and where they are most needed. I removed the side seams altogether, working it all in one piece. I faked the seams up the princess line by working a slipped stitch, every other row, where the seam would be. The project could just as easily have been worked in separate pieces which would have made the piece easier to block, but it would have probably made the seams less apparent because mattress stitch tends to be so invisible. I really wanted the "seams" to be a design feature.

The buttons are just from my local craft store, nothing fancy shmancy, though I like them. They are metal, maybe pewter, and have a relatively ornate engraved design. I thought for a while about what sort of button would best set off the piece and while I thought wood would be a nice color compliment, it seemed too rustic for the design, while shell or pearl was too dressy. The metal seamed to blend more with the look of the piece, so that they complimented while not overpowering the piece. Even better, the holes in the button were big enough to accommodate a small Chibi. This meant there was no need to find matching embroidery floss or thread to finish the piece. Life is good.

So that's that, another FO.

Back before I moved to Portland and before I took on a plethora of non-bloggable design projects, I was working on a piece knit from Silky Wool.

I'm a little further than the last time I posted about it, though there has been a great deal of ripping, knitting, ripping, crocheting, ripping and, well, you get the idea.

I had planned the body of the piece really well, but had left the details such as the sleeves and bands much looser. This is primarily because I wasn't sure how much of the main color yarn I'd have after I completed the body. It turns out I had just a little more than needed to knit the body. So now it's a matter of finding a way to use the other two yarns (of which I had a single skein, each) in the most aesthetically pleasing way. Hopefully, the end result is a piece that will look like it was designed intentionally as opposed to a design driven by a lack of yarn.

While I really love the deep mahogany shade, and considered using it as the trim, I didn't feel it popped enough against the main color, so I used the gold instead. In order to make the sleeves seem more cohesive with the rest of the piece, I threw in a little pleat with the main color, to bring it all together.

I snapped a few very unflattering pictures of me wearing the piece in its current state. You can check them out after the jump.

Second Sock Syndrome (SSS)
I finished the first of Leo's two socks and it looks and fits great.

No, he doesn't have itty bitty feet, the gusset just pulls the sock in a bit and makes it look shorter, I swear.

The heel is really unusual and attractive. This is the bottom of the sock and you can see the paired decreases that form a delicate ridge along the bottom. It isn't bulky at all, it just has a nice little visual detail.

I've cast on for the second, but it's moving slowly. 9" of ribbing in the round is just not my idea of big excitement, especially now that I'm not working under any deadlines and the world is my knitting oyster.

Sewing Buttons Syndrome (SBS)
I've discovered that while I like buttons, I dislike, with great zeal, sewing them on. I find it tedious, boring and prone to fault. It's sad really. When you are at the point that you should be sewing buttons, your piece is all but done. What could be so bad about sewing buttons on?

For about a week, the Silky Wool piece has been at this point, give or take.

The buttons aren't far enough apart, I'm currently taking them out to sew them back in....again.

Oh and remember all that talk about having juuuust enough yarn to knit the body of the piece? Well, I did some stash organizing and clean up this weekend. Guess what I found? My original giant swatches and the ball form which I knit, equaling a whole additional ball of the main color.

In my defense, much of our lives still sits in boxes because we:
A) Sold most of our furniture
B) Don't plan to buy furniture until we buy a house
C) Don't have anywhere to put stuff in the interim.

While this is, by no means, the way I hoped to start things in Portland, it does keep us motivated to pay off what remains of our credit card debt and start house shopping. Woohoo, and way to go off on a tangent.

Sometimes being a slouch is just fine. Normally, I love knitting fitted, figure hugging designs that appreciate all the fantastic curves we women have to offer but occasionally, all I want is something comfy and slouchy and relaxed while still being appropriate for human interaction. (I've heard it's frowned upon to go out in public in your robe. Go figure.)

Remember Freudian Stitch? Long since ripped, it's now become this.

It's a simple design with plenty of ease and a huge scoop neck that can be worn on or off the shoulders. The cowl is gently flared to allow it to drape loosely at the neck or be worn across the shoulders, as desired.

The simple cable running up the front and back has been scaled down to run along the sleeves as well.

As I've noted in the past, I just love working with Silky Wool. The tweedy color, subtle texture and crisp hand, make for a lovely fabric and the light weight doesn't add bulk and is suitable for most seasons.

I'm not sure if I'll offer a pattern or not, that'll depend on time and customer interest. It's not a complicated piece but I would be offering several different cable charts to ensure that the scale of the cables fits the larger sizes so the cost in time and tech editing would be a little higher than usual.

But hey, this is my first official knitting photoshoot in the new home. It's silly but it feels a little momentous to me. Even the girls got in on the fun.

Well, your collective response to my inquiry about that slouchy cowl in my last post was so great that I got right to writing the pattern. My beta reviewers are looking over the very rough draft and then it's off to the tech editor early next week. As per most of my for sale patterns, it'll be offered in 12 sizes and have plenty of tips for getting a good fit. I hope it'll be well received.

It took a while to get the charts, calculations, schematic and text together, and I still need to get some detail shots and start the layout, but I've taken the summer off from classes, I don't have any design deadlines, and the most time consuming parts of the move are done so I actually had some *gasp* free time! I'm trying not to get used to it.

I've even had a little time for some more knitting

The yarn is some of the singles I spun during the Tour de Fleece. It started off looking like this.

It's going to be a rectangular wrap but I think it'll be coming up a little shorter than I'd like so I've set aside some possible yarn with which to trim it.

And, since I've been doing cable charts for this project, I'm thinking about doing another illustrator chart tutorial. I just need to find the box the microphone.

I'm happy to announce the release of Jamison Square, formerly known as the slouchy cowl.

Click on the image or right here to see all the details about this pattern.

Price $9.00

Thanks to all of you who encouraged me to finish the pattern. Here's hoping you enjoy knitting it as much as I enjoyed designing it.

And since I know not everyone has $9 to throw at a pattern, here's a picture of my petulant little pup.

See, a little something for everyone.